Wolfgang Beltracchi is the greatest phenomenon of the international art world. His name is inextricably entwined with one of the greatest upheavals in the global art market. Emulating numerous world-famous artists, he developed and painted new paintings, continued their narrations and biographies, and concluded them with a forged signature. His wife Helene Beltracchi then smuggled them onto the art market. Many experts were deceived by Beltracchi's stupendous skill and auctioneers cast many doubts aside in the interests of insatiable market demand, selling the paintings as authentic works by the purported artists.
Reading the artistic handwriting of a painting requires an exceptional willingness and ability to be able to empathize and identify with the artist, until you "can feel what the other feels" (Wolfgang Beltracchi). Through extensive discussions with the painter and his wife, the psychoanalyst Jeannette Fischer explored this capability that is so pronoun
ced for Beltracchi. In this German language edition, she places this in relation to the disappearance of Beltracchi's own signature. As with her previous highly successful book about the performance artist Marina Abramovic, Jeannette Fischer has created an exceptionally insightful portrait of a fascinating artist personality.
Jeannette Fischer praktizierte 30 Jahre in Zürich als Freud'sche Psychoanalytikerin. Sie beschäftigt sich mit Fragen von Gewalt, Macht und Ohnmacht, kuratierte zu diesen Themen Ausstellungen und drehte zwei Dokumentarfilme. Zuletzt veröffentlichte sie die Bücher Angst: vor ihr müssen wir uns fürchten (2018) und Hass (2021).
